June 2025 | Convivio Cafe | Denver, CO
I was selected to exhibit my work at Convivio Cafe by the owners for a month in order to foster community, gain exposure, and share my story as a Latinx artist. Works that were featured included my self-portraits.

June 2025 | Kashi Kari Gallery | Denver, CO
An exhibition that featured wheat-pasted protest posters as part of the Art District on Santa Fe's month of political protest art. Featured work included Lock in, burn out, crash out.

April–May 2024 | Bitfactory Studios | Denver, CO
An exhibition with no set theme was organized by CHANT Cooperative members. I submitted two self-portraits that reflected on my feelings of loneliness, navigating the fallout of an abusive relationship, and self-care. The illustrations were done in colored pencil and ink. I chose only to use orange and depicted numerous versions of my face and hands sinking in water. I chose this color for its connection to nature, freshness, and changing seasons; the setting reflected how I felt during my time with an abusive partner and the struggle to keep myself afloat while also helping those around me.

October–November 2023 | The Temple | Denver, CO
An exhibition organized by CHANT Cooperative members that featured work commenting on Chaos and Order. I contributed two
self-portraits that studied the concept of entropy and how it is present in my daily life. These illustrations were also done in colored pencil and ink, featuring my face combined with the imagery of a broken egg. Eggs are commonly used to illustrate the effect of chaos and how it is often easier to descend into chaos rather than organization. This helped me to reflect on certain
events that I perceived as “chaotic” and how I was navigating them.

July–May 2023 | Town Hall Collaborative | Denver, CO
A collaborative exhibition by CHANT Cooperative and Town Hall Collective that centered around the theme of rituals. I contributed a series of 14 acrylic prints, Nodus Tollens, that depicted my relationship with religion during 14 periods of my life, the number of works being a reference to the stations of the cross. The pieces were abstract and heavily relied on Catholic symbolism, such as the colors used in the liturgical calendar. The works were inspired by the limited series Midnight Mass, which studies the relationships characters have with religion and with each other. The prints were created by etching acrylic plates by hand and then using a printing press to transfer the final images to paper.

July–August 2023 | O’Sullivan Art Gallery | Denver, CO
A joint exhibition I participated in alongside another Regis University alumna, curated by John Lake. The exhibition theme was
memory and society. I contributed a series of 15 gouache paintings titled Ni de aqui y ni de alla, which featured locations from my hometowns, Ciudad Juárez, Chihuahua, and El Paso, Texas. The locations I chose had personal or historical significance to me and were intended to highlight the nuances of growing up in the borderland. I wanted to share the numerous layers of the Latino/Chicano experience through abstract paintings that isolated the locations and then created collages out of the final paintings.

October–November 2023 | Smoky Public Library | Centennial, CO
This was the second time I was invited to participate in a monthly artist feature curated by Arapahoe Public Libraries. Public libraries in Colorado provide opportunities for local artists to share their work in common spaces by submitting applications for their work to be considered. They are then judged and selected by members of the library. This was the second public showing of my acrylic print series, Nodus Tollens.

June–July 2022 | Eloise May Public Library | Denver, CO
This was the first time I was invited to participate in a monthly artist feature curated by Arapahoe Public Libraries, where
local artists submit their work to be displayed in public library common areas. This was the second public showing of my series Astronomy Domain: A Study of Light, Time, & Space. This series included 27 gouache paintings that studied wavelengths of light, the concept of time and its perception, and the vastness of outer space. I was studying astronomy at the time and became interested in the way we get information about outer space using wavelengths of light, how we perceive and understand time, and our place in a universe that is incomprehensibly large.

March–April 2022 | Dayton Memorial Library | Denver, CO
I was invited to participate in the exhibition, Supporting Indigenous Sisters, as a guest artist by Sylvia Montero. The exhibition
featured artwork done by indigenous artists who are also women. Their work discussed the adversity Indigenous women face and the “No More Stolen Sisters” movement. I was allowed to exhibit alongside them and was not given a set theme to adhere to. This was the first public showing of my acrylic print series, Nodus Tollens.

May–July 2020 | exhibbit.com
The XX-XX Virtual Senior Show was organized by Regis professors, including William Sutton, Tony Ortega, and Robin Hextrum. This exhibition was entirely online due to COVID-19 restrictions and was the first public showing of my series Astronomy Domain: A Study of Light, Time, & Space.

Spring semester of 2019 | Tenn Street Coffee | Denver, CO
A student exhibition curated by Judy Gardner that featured work created for her Digital Illustration class. My submissions included vector illustrations created in Illustrator that depicted naturally occurring psychoactive plants such as ayahuasca, psilocybin, and datura. The project served to help me better understand Illustrator tools as I studied psychoactive plants independently while reading How to Change Your Mind by Michael Pollan.

Academic year of 2018 – 2019 | Eugene Stewart-Huidobro Gallery | Denver, CO
A student exhibition curated by Tony Ortega that featured student work from multiple classes. These exhibitions consisted of class assignments provided by Ortega to teach us components of visual design, such as color, composition, scale, and balance. My submissions included abstract paintings, color studies, wooden sculptures, retablos, and papier-mâché sculptures.